In particular, this type of configuration would not normally be appropriate if: the MIDI sequencer needs to control multiple virtual instruments simultaneously, as in a conventional recording studio, or: MIDI parts need to be recorded or entered by hand directly within the MIDI sequencer (for example, when composing pieces), or: the MIDI sequencer is sometimes used with virtual instruments other than Hauptwerk (since it probably wouldn t then be convenient to reconfigure it before and after using Hauptwerk each time). To be able to achieve this you need to configure your MIDI sequencer in a particular, and non-conventional, way (covered below), which wouldn t normally be appropriate for other uses. This type of configuration, and the associated fixed MIDI implementation, are intended to be appropriate specifically for solo organists playing live and then replaying and editing their performances. The tutorial covers how you can set up Hauptwerk with a MIDI sequencer specifically for recording and playing live solo organ performances in a similar way to Hauptwerk s built-in MIDI recorder/player, and using the same special, fixed, combination set-independent and hardwareindependent MIDI implementation, for the reasons covered in the 'Recording and playing back live solo performances: the built-in MIDI recorder/player and its fixed MIDI implementation' section in the Hauptwerk user guide. At the time of writing Cubase doesn't yet support MIDI sys-ex with VST plug-ins, hence some Hauptwerk registration changes might not be recorded/replayed with this method and we instead recommend using virtual (or real) MIDI cables, as covered in the previous tutorial. 2 1 Tutorial: recording, playing back and editing live solo performances with a MIDI sequencer dedicated to Hauptwerk: Cubase on Mac OS X or Windows (with MIDI via the Hauptwerk VST Link) This tutorial features Steinberg's Cubase Pro version In this tutorial MIDI is routed between Hauptwerk and Cubase via the Hauptwerk VST Link.
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